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8 UMMA Objects
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A photograph of a woman dancing. She lifts her arms up toward the right of the frame, her legs creating a diagonal across the bottom of the frame. 
Barbara Morgan (American (North American))
Martha Graham—Lamentation
1935
Gift of the Willard and Barbara Morgan Archives
1991/2.49
A photograph of a woman dancing. She wears a dress with flowing fabric, creating a sense of motion as she performs a jump.
Barbara Morgan (American (North American))
Martha Graham—Letter to the World
1940
Gift of the Willard and Barbara Morgan Archives
1991/2.52
A group of dancers caught in motion; all leaping in the air in synchrony with their bodies hunched over.
Barbara Morgan (American (North American))
Charles Weidman—Lynchtown—(Humphrey-Weidman group)
1938
Gift of the Willard and Barbara Morgan Archives.
1991/2.51
A composite photograph from two negatives. The frame is divided by two figures that are formally similar and stacked vertically. The bottom form is a clenched fist and the top is a nude figure. 
Jerry N. Uelsmann (American (North American))
Equivalent
1964
Gift of Dr. Seymour and Barbara K. Adelson
2012/1.227
A photograph of two flowers side-by-side; their swirling forms disappear into the black background.
Imogen Cunningham (American (North American))
Two Callas
1925 – 1929
Museum Purchase
1976/2.10
A photograph, taken from above, of a small children's pool. The circular pool fills the frame, while two children swim in a circular motion.
Julie Blackmon
Easy-Set Pool
2003
Gift from the Collection of David S. Rosen MD, MPH
2013/2.102
A photograph of a flower bud cast in bright light against a dark background.
Imogen Cunningham (American (North American))
Magnolia Bud
1923 – 1929
Museum purchase made possible by the W. Hawkins Ferry Fund
2004/2.144
A composite print from two negatives, each representing a moment from a dance performance. The woman wears a large cloth, which she manipulates with her motions to create forms and shapes.
Barbara Morgan (American (North American))
Martha Graham—Lamentation
1935
Gift of Frances U. and Scott K. Simonds
1992/1.132
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